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nothing but victims left

by ænorex

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12212012
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12212012 There are many haunting riffs on this record--sequences of notes with nothing behind them but atmosphere--that seem somehow related. I don't know if it's in my head or it's some kind of musical trick,but they seem so closely related that I found myself checking if the piano riff at 3:49 of funeral][am was the same series of notes at the beginning of dispassion, or if either of them was the same as the one in carri on. They're not, but they call each other to mind and unify the record. It's great Favorite track: dispassion.
Chris Huston-BandGeekRecords
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Chris Huston-BandGeekRecords The entire album is beautifully apocalyptic. However, nothing but victims left stands out as the dark bass with its deep overtones sets the foundation for melodic synths, industrial fragments, and the guitar runs that are the aenorex trademark. Great listen from start to finish. Favorite track: nothing but victims left.
shawntario
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Lydia Peever
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Adriana
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west2ndproductions
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frompage2screen
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1.
dispassion 07:17
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i feel no relation to the rest of the world but out here in the park, listening to the sound of the crickets i feel as if i belong it’s strange, but i have a feeling a feeling that something is wrong something is going to happen something inside of me so dark in here so dark in here your eyes will become accustomed to it the darkness i feel no relation to the rest of the world
2.
inanition 08:29
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yes, i am dying but i tell you, i tell you, you will never be rid of me even when i am in my coffin you will never be rid of me never the living can’t bow down to the dead i’ve got to die it’ll be so dark and empty things’ll go on in the world but i’ll have nothing but the dark it sounded as though he was horribly frightened it sounded as though he was horribly frightened then comes the next night another dreadful night i’m so frightened i don’t know what to think i can’t stay here any longer, i’ve got to leave i can’t stay another night get it out of your mind i cant, i’m afraid to go to sleep but each time he comes nearer, closer, more real well it isn’t just imagination i’ve got to die i’ve got to die the living can’t bow down to the dead i’ve got to die i’ve got to die the living can’t bow down to the dead have you looked deeply into his eyes i have, several times i felt as though i was staring…into a deep well an abyss into nothingness there’s something about the way he stares at us a deliberate stare as if he were trying to hold us i cant wait until tomorrow, i cant wait through the night i cant wait until tomorrow, i cant wait through the night kill me kill me his suffering and his madness will be forgotten why don’t you kill me right here his suffering and his madness… i insist that you kill me now …will be forgotten cold and lifeless cold and lifeless so frightening to behold it is rather frightening, isn’t it isn’t it lifeless isn’t it isn’t it cold and lifeless evil and malignant then comes the next night another dreadful night then comes the next night another dreadful night of horror i’m not talking about something that you can see in the light i’m not talking about a human being in the darkness i, i saw something that can’t be seen in the lighted areas it was so real…so real evil and malignant yes, i am dying but i tell you, i tell you, you will never be rid of me even when i am in my coffin you will never be rid of me never i am about to die when death is near, you know it full well, you know it i have little time left i can’t stay here any longer, i’ve got to leave i can’t stay another night have you looked deeply into his eyes i have, several times i felt as though i was staring…into a deep well an abyss into nothingness there’s something about the way he stares at us a deliberate stare as if he were trying to hold us i felt as though i was staring…into a deep well an abyss nothingness nothingness nothingness an abyss a deliberate stare as if he were trying to hold us…with his eyes two dead eyes staring out of a dead face i’m not talking about something that you can see in the light i’m not talking about a human being evil and malignant in the darkness i, i saw something that cant be seen in the lighted areas it was so real…so real evil and malignant the living can’t bow down to the dead why should i be scared now why should i be scared now i wanna die cold and lifeless so frightening to behold i wanna die cold and lifeless cold and lifeless cold and… i wanna die …lifeless
3.
carri on 07:52
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4.
nothing but victims left 09:13
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c’est si facile de créer une victime, mademoiselle si facile vous enfermez quelqu’un dans une pièce noire il commence à souffrir nourrissez cette souffrance façon méthodique systématique et froide et que cela dure votre sujet passe par états multiples au bout d’un temps, son traumatisme cette petite fissure si facile à fabriquer lui fait voir des choses qui n’existent pas le monde est ainsi fait qu’il n’y a plus que des victimes qu’il n’y a plus que des victimes qu’il n’y a plus que des victimes une morte une morte une morte une morte une morte une morte une morte une morte voilà! une morte
5.
conform to will 10:17
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6.
funeral][am 13:04
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credits

released January 14, 2022

-ænorex is CL
-nothing but victims left was written, recorded, produced by CL, from September 2021-January 2022, in Ottawa, Ontario
-cover art by CL

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ænorex Ottawa, Ontario

ænorex, hailing from the Ontario, Canada, emerged in 2020 as a unique force in the realm of dark rock music. The instrumental, solo project's fusion of somber, atmospheric melodies, samples and symphonic elements paints a vivid sonic landscape that captures the essence of anger, sorrow, beauty, and mystery. ... more

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